Tale as Old as Time: The Art and Making of Beauty and the Beast

Fiche technique
Auteur : SOLOMON Charles Nombre de pages : 176
Editeur : Disney Editions Dimensions : 30,48 x 22,86 x 1,52 cm
Thème : Les coulisses des longs métrages Poids : 1,13 kg
Date de publication : 31-08-2010
ISBN-10 : 1423124812
Edition : Première édition ISBN-13 : 978-1423124818
Couverture : Couverture cartonnée Prix d'origine : 40$ / 31,93€
Langue : Anglais Prix d'occasion : 20-40€

Table des matières
  • I. True as It Can Be
    The origins of the original story.
  • II. Ever Just the Same/Ever a Surprise
    Disney on the rebound after the 1984 change in management.
  • III. Finding You Can Change/Learning You Were Wrong
    The initial version of the film.
  • IV. Both a little Scared/Neither One Prepared
    Kirk Wise and Gary Trousdale become directors of a new interpretation.
  • V. Tune as Old as Song
    Howard Ashman and Alan Mencken make the film a musical.
  • VI. True That He's No Prince Charming
    Creating the characters.
  • VII. There Must Be More Than This Provincial Life
    Creating a world for the story.
  • VIII. Bittersweet and Strange
    Completing the film, and the death of Howard Ashman.
  • IX. Who'd Have Ever Thought/That This Could Be ?
    Beauty and the Beast comes to the stage.
  • X. Just a Little Change/Small, to Say the Least
    Beauty and the Beast in IMAX and in 3-D.
  • XI. With a Dreamy Far-Off Look/And Her Nose Stuck in a Book
    Acknowledgements, bibliography, and index.

Résumé de l'éditeur
The "Beauty and the Beast" legend has a universal appeal; the fairy tale exists in numerous versions throughout the world. In the West, it's best known from the 17th and 18th French versions, which Walt Disney considered animating during the late 1930s. Disney gave up on the idea, as he felt the original story was too claustrophobic and lacking in action.

Reapproached in the 1980s, Beauty and the Beast had several false starts. It was originally conceived as an 18th century period piece, directed by the British husband-and-wife team of Richard and Jill Purdum. After some changes, two new directors, Kirk Wise and Gary Trousdale, were put in charge of the project. Although he was initially reluctant to do another animated film after The Little Mermaid, the late Howard Ashman came on board shortly after the new directors. Over many months, the characters and story gradually took form, but there were many changes, false starts and wrong turns. Sequences were created, reworked, cut and added as the film gradually emerged, like a statue from a block of marble.

After all the ups and downs, Beauty and the Beast was released in 1991 to rave reviews and record-breaking business. The film was widely hailed as a technical and aesthetic breakthrough and remains the only animated feature ever to be nominated for the Oscar for Best Picture. This authoritative book will feature interviews with artists, executives, and voice actors; and transcripts of meetings and story sessions. Illustrations will abound throughout, including sketches, caricatures, sequences of animation drawings, and preliminary artwork from discarded sequences. This book will be a must-have for any fan of the "Tale As Old As Time."